A Streetcar Named Desire (1951, Elia Kazan)
It may seem quite remarkable that this movie appears on three of my four lists, but really, it’s no wonder. This movie is a classic for a reason.
I don’t feel the need to point out that the writing by Tennessee Williams is absolutely superb — that should go without saying — but Kazan’s treatment of the material is very impressive. His direction is incredibly charged and sizzles with atmospheric tension.
The characters feel real because they are all deeply flawed; Brando’s crude loudmouth, Leigh’s deceitful, wounded and vulnerable seductress, and even Hunter’s Stella, although a case can be made for her being the most likeable of the bunch.
I believe that the reason this stands the test of time is a mix of the atmosphere, the script, and not least of all, the acting. I’ve never been more impressed with Marlon Brando, and Vivien Leigh is a revelation. Kim Hunter plays her role masterfully, and Karl Malden is very strong in his role as the man who falls for Leigh’s Stella.
I’m so glad I finally got around to seeing this movie. At least now I finally understand why everyone is hailing this as a masterpiece.
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